Musical Education |
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2001 - 2005 Royal College of Music - PG Dip with Graeme Broadbent
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1996 - 1998 Guildhall School of Music & Drama - LGSM Postgraduate Diploma
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1992-1995 and 1998-2001 Studied singing with Ken and Christine Reynolds
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B.A. Hons in History, University of Wales, Aberystwyth
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Operatic Experience |
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Autumn 09 - Glyndebourne - Pistola - Falstaff
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Autumn 09 - Glyndebourne - Understudy Falstaff - Falstaff
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Summer 09 - Longborough Festival Opera - Snug - Midsummer Nights Dream
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Spring 09 - English Touring Opera - Dikoy - Katya Kabanova
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Autumn 08 - Glyndebourne - Sarastro (Understudy) - Die Zauberflote
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Spring 08 - Opera North - Snug - A Midsummer Nights Dream
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Sept - Dec '07 - Glyndebourne on Tour; performed Doctor/Herald/Servant - Macbeth,
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Sept - Dec '07 - Glyndebourne - Understudy Superintendent Budd - Albert Herring
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Autumn 2007 - Glyndebourne Chorus
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June-August 2007 - Opera Box - Colline - La Boheme
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May-August 2007 - Glyndebourne Understudy - Don Magnifico - La Cenerentola
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Spring 2007 English Touring Opera - Osmin, Die Entfuhrung aus dem Serail, Mozart.
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Quince (Cover) Midsummer Night Dream, Britten. Glyndebourne
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Summer 06 - Glyndebourne Chorus
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Autumn 06 - Micha Bartered Bride, Mid Wales Opera
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May 06 - Kaspar & Hermit Der Freischuts, Valladolid Spain
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Sparafucile - Rigoletto - European Chamber Opera
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Osmin - Seraglio - Valladolid Spain (Also Directed the Opera)
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Bonze - Madama Butterfly, Puccini
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The Martyrdom of St Magnus - Peter Maxwell Davies
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Sacristan - Tosca - European Chamber Opera
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Prince Kadoor - Si J'etais Roi - Opera Omnibus
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Frank - Die Fledermaus - Clonter Opera
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Sarastro - Die Zauberflote - RCM
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Prince Gremin - Eugene Onegin - Clonter Opera
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Oedipus Rex - Tiresias
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Simone - Gianni Schicchi
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Claudio - Agrippina
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Supt Budd - Albert Herring
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Snug/Lion - A Midsummer Night's Dream
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The Bear - Luka
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Pistol - Falstaff
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Truffaldine and Lakey - Ariadne auf Naxos
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Osmin - Die Entfuhrung aus dem Serail
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King Balthazar - Amahl and the Night Visitors
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Colline - La Boheme
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Filippo II - Don Carlos
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Enrico - Anna Bolena
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Oratorio |
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Pilate St John Passion - Bach
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Creation - Haydn
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St Cecilia's Mass - Mozart
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Requiem - Mozart
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Coronation Mass
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Vesperae solennes de confessore
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Requiem - Faure
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Dixit Dominus - Handel
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Magnificat in D Major - Bach
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Concerts |
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October 2005 -Concert with Kathryn Jenkins and Chester Male Voice Choir, Chester Cathedral
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August 2005 Guest Artist, Edinburgh Fringe Festival
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April 2005 - Concert with Denise Leigh and the Chester Male Voice Choir, Chester Town Hall
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New Year Concert Series 2005 conducted by Terje Boye Hanson & Kristiansand Symphony Orchestra
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Guest Artist - Machynlleth Music Festival
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Principal Artist - Cor Godre'r Aran tour of Australia & New Zealand Oct 2003
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Concert Tour of Australia with Cor Godre'r Aran 1999
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Competition |
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National Eisteddfod of Wales 2002, Finalist in Lieder, Oratorio and Bass Solo Class
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Film, Television & Radio |
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S4C - P'nawn Da
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S4C - Noson Lawen
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S4C - Pencerdd
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Awards & Scholarships |
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While at Royal College of Music was the Pidem Scholar and supported by Cor Godre'r Aran and D'Oyle Cart Scholar
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The Legal and General Junior Fellow at the Royal College of Music
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Winner of the Rowland Jones Scholarship at the National Eisteddfod of Wales 2002
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Has recieved scholarships from Arts Council of Wales, S4C Television and the Lawrence Attwell, Ryan Davies, William Cox, Dr Williams School funds
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Future Plans |
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Summer '10 - Garsington - Snug - Midsummer Nights Dream
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Press |
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Reviews for Spring 2007 English Touring Opera
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"The outstanding performance comes from Welsh bass Sion Goronwy as Osmin. He
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has a glorious voice, impeccable comic timing and is very much a star in the making."
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Tim Ashley, The Guardian, 20th March 2007
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"Sion Goronwy's impressive bass and striking characterisation combine to form
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a vivid Osmin."
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George Hall, The Stage, 19th March 2007
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"....the jokes come thick and fast, with much little-and-large slapstick between Hal
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Cazalet's mellifluously dainty Belmonte and Sion Goronwy's Osmin, gigantic in
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body and voice."
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Michael Church, The Independent, 21st March 2007
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"Sion Goronwy's lumbering Osmin had some terrific low notes; physically he towered
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above the rest of the cast, giving rise to much visual comedy. The ensemble
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work was excellent."
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Ruth Elleson, Opera Today, 25th March 2007
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